二龙湖往事惊魂夜

简介：池珍熙继《女教授的隐秘魅力》之后再度与导演李河合作，扮演了外表帅气内心却幼稚狭窄的音乐评论家成熙。影片讲述为寻找离家出走的妻子而上路的成熙和他的朋友们的故事。

简介：它也许是世界上第一部真正的摇滚电影，也是摇滚这个词第一次被用到电影中，以今天的眼光来看，它其实和一部纪录片差不多，因为片中的情节几乎可以忽略不记，台词也只是对音乐的铺垫，它真正的意义在于汇集了摇滚乐最早一批乐手歌手的现场演出，并用这些疯狂在现实世界里引出更多疯狂，由于比尔·哈利、“彗星”等人的演出实在疯狂，而引起的骚乱又太多，所以在英国众多城市遭到禁映。

简介：一个叫金大义的国民党骑兵受伤被俘，被安排在李家崖村。村民都不愿意接受他，只有一位善良的大嫂收留了他。骑兵头目哈胡子是金大义的义父，为寻找金大义来骚扰李家崖，金趁机逃跑，但是受伤未愈的他没跑多远就落在了沟里，大嫂为此四处寻找。村里断粮，金大义偷吃了小羊羔，大嫂获知丈夫牺牲的消息，悲愤的大嫂将金赶出了家门，但金自己回到了大嫂家。金主动承担了帮助村里运粮的任务，并与前来抢粮的哈胡子不期而遇，当哈要枪杀大嫂时，金向哈扣动了扳机。

简介：本剧改编自北川悦吏子的同名小说，透过最后的旅程，深入探讨“人生为何而活”的主题，讲述了佐仓陆曾是外科医生，但突然变得无法拿起手术刀，之后因心理问题被调至内科。住院患者中的成濑翔被宣告寿命将近，陆就是他的主治医生，而成濑对手术和治疗感到疲倦，提出由陆结束他的生命。二人决定逃离医院，骑摩托车展开旅行，体验野营、探访故乡、与初恋相见，成濑虽时常病倒，但有陆陪伴感到安心，然而，小陆却私藏着一种特效药...

简介：1980年代，某造船厂。袁朗（钱勇夫 饰）为厂里争取到制造出口远洋轮的任务，生产攻坚时刻，进口焊条突然断货。工程师陈启明（刘子枫 饰）受袁朗之托，负责焊条的研制工作。诸晖（朱琳 饰）得知验船师是她三年困难时期分手的恋人冯振羽（高飞 饰），拒绝与其合作，袁朗大光其火，思前想后，诸晖终于走马上任。随着工程不断深入进行，诸多问题与矛盾渐渐暴露出来，袁朗分析利弊，准备大胆改革工资奖金分配制度。随着焊条研制成功，多劳多得的分配原则也使广大职工生产积极性大为提高。袁朗奖惩分明的做法受到一些老工人、老前辈指责，袁朗动之以情晓之以理，终于得到大家的理解......

简介：本片讲述了一个带着小女儿的离异男子想与一个爱慕已久的女人结婚,而对方正是无法接受他有一个小女儿的现状,舍弃他与另一个男人结婚.在结婚典礼现场,这个男人拿着钻戒意外的出现了……

简介：大学毕业前夕，“蚂蚁”们忙忙碌碌都在为自己的前途和理想奔忙着，大家各得其所，也最终明白了面对生活，要永远保持一颗真诚的平常心。

简介：故事发生在1694年的英国，家财万贯的郝博特夫人（珍妮特·苏兹曼 Janet Suzman 饰）雇佣了天才画师奈维尔（安东尼·希金斯 Anthony Higgins 饰），根据合同，后者需要替郝博特夫人所在的康普顿安斯庄园完成十二幅画作。在此期间，奈维尔和郝博特夫人之间产生了不伦的关系。　　塔耳曼（休·弗拉瑟 Hugh Fraser 饰）是郝博特夫人的女婿，他一直希望能够得到堂皇富丽的康普顿安斯庄园，然而他的妻子塔耳曼太太（安·路易斯·兰伯特 Anne-Louise Lambert 饰）却一直没有子嗣，这令塔耳曼将在庄园中横行的奈维尔视作眼中钉。很快，奈维尔的情人名单里添上了塔耳曼太太的名字，此时的他并不知道的是，自己已经陷入了一个筹划已久的阴谋之中。

简介：天性善良，谨小慎微的Selim经营着一家男士衬衣店。由于经济环境不景气，即使收入比一般人要好，Selim也不敢随意消费，妻子和女儿对此表示理解。一天偶遇暴雨，Selim叫了一辆出租车回家，意外发现出租车后座上有个装满美金的皮包，他赶紧下车去找那位乘客。乘客已经不在原地，Selim心惊胆战地将这袋美金带了回家，无意中获悉这笔巨款是一位贪污的银行职员在出逃途中遗失的，他改变了归还失主的想法。Selim开始变得出手阔绰，尽管难掩内心的恐慌，妻子怀疑他突然大方的原因，他解释说是自己买彩票中了大奖。楼下的女孩趁Selim的家人外出前来勾引他，Selim按捺不住，以近乎粗暴的方式占有了女孩。妻子和家人忽然折返，撞破了Selim的好事。Selim羞愧地闪躲，一不小心从自家公寓楼坠落到大街上。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：传说民国初，发生了一件血洗清风寨的大事件，起因是为争夺宝藏地，展开了一系列的杀戮、欺骗、阴谋、算计、背叛等等，从而暴露着人性的贪婪……　　一把把的飞刀和弓箭穿过层层树林，直射而来。躲避追杀的清风寨大少爷不小心摔倒，手中的藏宝地图和开启宝藏钥匙的铜如意失手滑落。眼看着追杀的黑衣人越来越近，清风寨的钱管家一把拉起大少爷，拾起藏宝图和铜如意，两人仓惶地朝不同的方向逃奔而去……　　血迹斑斑的地图和铜如意，随着时间的流逝不停变换着存放的地方。　　时间飞快的辗转到了现代2004年，一个古香古色的供桌上，铜如意不翼而飞，而供桌下流动的血迹，将我们引向一具圆目狰狞的尸体。

简介：故事的主角是一个沉默的独行杀手（Isaach De Bankolé 饰），他永远只点两杯咖啡，在无聊的时候练习太极，不为任何诱惑所动。某日，他接受一项神秘的任务，随后启程前往西班牙马德里。在这里他必须和一个又一个联系人作单线联系，而联系的凭证便是红色或绿色的火柴盒。这些联系人中，有谨小慎微但热爱音乐的中年男子（路伊斯·托沙 Luis Tosar 饰），有打扮出众钟爱电影的白衣女子（蒂尔达·斯维顿 Tilda Swinton 饰），有醉心波希米亚文化的老人（约翰·赫特 John Hurt 饰），更有沉迷分子学的神秘东方女性（工藤夕贵 饰）。按照他们的指引，杀手一步步逼近了他的目标……