昨日的记忆

简介：一场家庭的悲剧最终伤害的还是子女。憨直的新界鸡场主人马牛羊与独女妹头相依为命。妹头的生母罗安妮用尽办法想夺回妹头的抚养权……

简介：马略卡岛上的海防特警队专门搜查突发及异变事件，肩负着保卫岛上市民安全的重任。 连日来，几名游客相继神秘死亡。在几名游客胃中都发现了大量的毒品。海防特警队的队员们开始对此案进行调查。特警队员马克与马略卡岛上首富克罗姆独女美琳达一见钟情，两人很快便如胶似漆。 经过特警队几日来的调查取证，所有证据都对克罗姆非常不利。马克不相信克罗姆能做出贩毒这种事。基于马克的身份，马克被迫放假休息。克罗姆也反对女儿与马克在一起。最终水落石出，克罗姆确是贩卖毒品的幕后黑手。这样一来，马克，美琳达这对有情人能终成眷属？

简介：上海解放后，解放军某部八连接受了在南京路执勤的任务。三排长陈喜（马学士 饰）经不起资产阶级“香风”熏染，瞧不起乡下来看他的妻子春妮（陶玉玲 饰），看不惯脸长得黑的八班长赵大大（袁岳 饰），逐渐丢掉了我军艰苦朴素的优良品质。上海籍新战士童阿男（廖有梁 饰）自由主义思想严重，不请假私自外出，受到连长鲁大成（宫子丕 饰）批评后，竟扬长而去。八班长赵大大则看不惯上海滩的乌烟瘴气，坚决要求上前线去。指导员（徐林格 饰）针对连队出现的种种问题，感觉到问题严重，决定遵照毛主席教导，开展阶级教育，请来老工人讲述在旧上海所遭遇的种种苦难，并使战士们认清在和平时期中也存在着你死我活的斗争......

简介：话说唐僧（筱昌顺 饰）师徒一行四众，跋山涉水，历经千辛万苦从东土大唐前往西天求取大藏真经。这一日，师徒们来到一处崇山峻岭的凶险所在。齐天大圣孙悟空（六龄童 饰）忖度猪八戒（七龄童 饰）一向偷懒耍滑，于是怂恿师傅派八戒先行寻山。正当师兄弟戏耍打闹之际，不提防早已被此处的一个妖精盯上了踪迹。该妖精住在波月洞，是一只善于变化、狡猾多端的白骨精。她知晓孙悟空的本领，于是三番变化哄骗唐长老和八戒、沙僧（傅马潮 饰），进而离间师徒的信任，上演了流传千古的孙悟空三打白骨精的精彩好戏！　　本片根据中国古典四大名著《西游记》的故事改编。

简介：北极圈内小镇，少年卢克发现因熊妈妈被抓回北极野外而在自家仓库偷吃东西的萌熊熊小佩左。如果小熊被发现，就会被送到动物园供人参观。勇敢的卢克决心送这个小吃货回到妈妈身边，只身一人带着小熊穿越千里融冰，开启了极地生存游戏，掉入冰窟，遭遇百年一遇的暴风雪，又有居心叵测的猎人追击，少年和小熊能否平安到达熊妈妈身边？

简介：意外昏迷的少年徐泽明（杨天宇 饰），意识闯入一个奇幻武术世界，并卷入一场古拳法传人的争斗中。古拳法叛徒火龙（张继聪 饰）为抢夺古拳法秘籍，追杀守护人龟伯及秋云（马思惠 饰）多年未果，当发现泽明得到古法拳传承后更是愤愤不平，决心杀掉泽明夺回古拳法，终极对决一触即发…现实世界中，徐母（余安安 饰）也一直通过讲故事的方式刺激泽明的求生意识，竟意外达到里应外合的效果。究竟泽明最终能否战胜对手，在现实世界中恢复意识？

简介：A ship carrying a band of black-marketeers, including a beautiful woman, eludes police after a battle at sea and lands on a remote island where a marine meteorological observatory is stationed. They take over the observatory but tragedy ensues as a violent typhoon approaches the island.

简介：雅克·维吉尔被指控谋杀了他的妻子。作为雅克·维吉尔案件的陪审员，诺拉坚信他没有杀害他的妻子。但是，这种直觉很快就成为了一种偏执。她说服了国内最有名的律师为雅克辩护。为证明雅克的清白，他们携手展开了一场艰难的辩护斗争。为此，他们也付出了巨大的代价。这部电影受到雅克·维吉尔的真实案件的启发，讲述了他的妻子离奇失踪，而他因此受到审判的故事。

简介：开设在日本的家庭罗曼史有限公司是一家通过角色扮演为客户定制“体验”的公司。在这里，你可以租借到陪伴自己的“父亲”，愿意顶罪的“同事”......公司员工石井裕一在一次次的倾情扮演中，也陷入了对自己职业的沉思。陪伴在身边的人可能是假的，生命中的美好回忆又有几分是真的呢？德国名导赫尔佐格视角独特，打破纪录与非纪录的界线，在演练好的剧本和真实故事的交错之中，观众也不免从电影延伸出对自己现实生活的思考。

简介：该片讲述了一个入殓师女孩橘子的爱情故事，开始她不敢告诉男朋友魏疗自己的职业，然而魏疗阴差阳错地发现了这个所谓的“秘密”，于是提出与橘子分手，橘子苦苦挽留仍然无济于事，在橘子好友李摩的帮助下，橘子发现了魏疗的秘密，原来魏疗是出轨了。此时橘子在愤怒的同时，仍然想要挽回这段爱情，李摩作为一个侦探头脑的人，帮助橘子准备了一些作战计划，其中包括从魏疗的小蜜进行调查等，在一系列的事件发生后，橘子渐渐的发现了自己真正想要的是什么......

简介：为人正直的检查官杜丘（高仓健 饰）被人控告犯有抢劫、强奸罪，自知清白的他为了洗清冤屈，开始了一边躲避警察追捕、一边查找事实真相的逃亡。　　途中，杜丘于山中冒险救下牧场主的女儿真由美（中野良子 饰），两人生出真情。在真由美及其父亲的帮助下，历尽艰险的杜丘终于拨开重重迷雾，在一家精神 病院，他找到了诬告自己的横路进二，但对方已神智不清。为了将其中隐情一一揭出，杜丘装病住进这家医院，开始小心翼翼的调查求证，巨大的政治阴谋遂即浮出水面。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor